50 Best 2024 Movies Released So Far - A Good Movie To Watch (2024)

1. His Three Daughters (2024)

Not everybody holds a good relationship with their sisters, but ideally, we get to reunite and repair things in a good time. Unfortunately, for some families, the only time they reunite is due to a parent nearly dying. This is the case in His Three Daughters, where the three sisters meet after years living apart. It’s a common plotline, mostly depicted in the feel-good, family friendly variation, but writer-director Azazel Jacobs makes the three sisters distinct by taking the easy assumptions many people would make about them, and naturally push them to reveal the opposite. Carrie Coon, Natasha Lyonne, and Elizabeth Olsen form a great trio, delivering equally excellent performances under the same roof.

2. Problemista (2024)

Some films struggle to balance style with substance, but Problemista isn’t one of them. It’s brandished with Torres’ unique brand of surrealist aesthetic, which is colorful, freakish, and fun, while also accurately relaying the pains of coming to and making it in America as an outsider. We see Alejandro accept increasingly debasing gigs as he runs out of time and money in the deep maze that is America’s immigration bureaucracy. And all the while, he’s being both genuinely funny and painfully incisive. Torres is not the first person to point out that in this day and age, the monsters we face are overbearing employers, greedy bankers, and exploitative companies, but he just might be one of the few to do it with such imaginative grace.

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3. Billy & Molly: An Otter Love Story (2024)

Nat Geo is still the champion of pristine nature documentaries: the skies, the seas, the snow, and the coloring everywhere is divine. But the serene seaside in Scotland, combined with the reflective, poetic musings about love from Billy and Susan isn’t just cutesy light viewing. I’m confident it can heal an exhausted person. This documentary is a mesmerizing meditation on love and connection, on the things that unite people and other creatures. It might feel like a chunky 77 minutes, especially in the latter half given the pace it goes by, but it’s a warm experience that you instantly know you’ll want to revisit.

4. Ghostlight (2024)

“The healing power of art” sounds cheesy, but it’s a statement made beautiful and true in Ghostlight. It’s the sensitively told and wonderfully performed story of an ordinary man who, up until this point, doesn’t even know how Romeo and Juliet ends. That’s how detached he is from art. But when Rita (Dolly de Leon) pushes him into the arena, he surprises himself and his family by being receptive to it. It’s the only way he can get in touch with his feelings, which is vital since he’s gone through an unspeakable loss recently. What that loss is isn’t immediately revealed in the film, but the small details snowball and eventually pummel you to the ground with its sheer tragedy. You’re either grinning or crying watching this, there’s no in-between. But if there were, you’d probably be marveling at the trio at the heart of this film: the family played by a real-life family. Keith Kupferer, who plays Dan, Tara Mallen, who plays Sharon, and Katherine Mallen Kupferer, who plays their daughter Daisy, are all compelling and dazzling in their own ways.

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5. Lolo and the Kid (2024)

They did it. They took advantage of Pinoy movies’ penchant for sappy writing and used it to deliver on its premise. Coming into it blind more-so, you see the violent shift in writing and energy, with everything feeling more relaxed, organic, and truthful after the premise sets in. But they take that subversion a step further by unironically sticking with the sappy elements and not drowning in them; using dramatic backstories, catchphrases, and the staple recurring ’80s theme song to tease and anchor the drama throughout. By Filipino drama standards, it might be an unconventional family film, but with how well they used the tropes, it might also be the quintessential Filipino family film.

6. Adam Sandler: Love You (2024)

It starts off with a cinematic intro sequence, flexing a big budget standup show that you’d only expect from a Hollywood star like Adam Sandler. But there are also elements of “lines being blurred,” with the pre-show frenzy backstage being carried over onstage. With a bizarre atmosphere firmly established, Sandler delivers his set like what I can only describe as an upbeat Jake “The Snake” Roberts, nonchalantly talking about his bizarre everyday interactions. He also delivers many of these stories in quick song format, with lyrics that sound like someone muttering under their breath about their grim day (or life). Just a fun, odd, and even emotional storytime with Adam Sandler.

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7. Rebel Ridge (2024)

The story here is kept stripped down and tense: just a capable hero trying to stand up to the big bad. We want to root for his efforts, but find no joy in it. We feel him be bold while holding back, creating more tension that we don’t quite know how to temper. So much of the story taking place in everyday government buildings pushes the atmosphere from tense to quite frankly depressing. Just when it seems like it’s too damn much, the 2nd act trails off into a more prodding action film, but by that point the film has left its mark enough. All in all, a suspenseful, poignant ride with decent action film tropes to prevent you from dissociating.

8. Drawing Closer (2024)

Through dreamlike colors and tears clouding my eyes, Drawing Closer paints a painful depiction of persistence in love and death. Initially, a number of coincidences and significant details about our main characters Haruna (Natsuki Deguchi) and Akito (Ren Nagase) and their interconnectedness seem to sprout up conveniently, without much weight behind them. But once the ball gets rolling, the film is feel-good in the worst way, an emotional deathtrap, and the most dangerous movie in the world for those who believe in love, and those perpetually afraid of dying in an expensive deathbed. Just thoroughly devastating and beautiful. A 10 in my heart.

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9. Thelma (2024)

It’s easy to laugh about an old lady being an unwitting lead in an action film, the joke being that they can’t possibly be that. But June Squibb’s Thelma is. She refuses to be infantilized and undertakes a journey that’s dramatized to great effect. It’s still funny, but without Squibb’s character being the butt of the joke. It’s also immensely charming, smart, and moving, without ever being too saccharine or pandering. The performances are wonderful across the board, but it’s Thelma’s intergenerational bond with her 24-year-old grandson Daniel (Fred Hechinger) that’s at the heart of the film. In some ways, both Thelma and Daniel have to prove their worth to a world that gives them little credit for their idleness, even though they’re both happy and make other people happy that way. Parker Posey, who plays Thelma’s daughter and Daniel’s mother, is equally commendable as the seeingly stable but perpetually harried “adult” that keeps the two grounded in reality. Equal parts sweet and bad-ass, Thelma is the movie to see if you want to feel the warm fuzzies (minus the cheese) with the family.

10. Dìdi (弟弟) (2024)

Coming of age films are a staple in cinema, but rare is a great depiction of growing up on the internet, chatting with friends, and learning about the world through just a small screen. Dìdi is one of those rare films that remembers that pivotal era, which is why it’s often likened to Bo Burnham’s Eighth Grade, but Sean Wang depicts a more angsty than anxious Asian American kid with a mother and a grandmother less able to relate to the wider Western town they live in, and with nothing he wants to do but to skate, shoot skating, and try to fit in with people he thinks are cool. It’s both funny and self-critical, as if Wang was looking back to remember the times he screwed up, but it’s also just comforting to watch him own up to who he really is, even if it doesn’t garner the exact response he’s been hoping for. It’s also precisely why Dìdi found its audience.

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